Good-bye to CharmCityCurrent.com but not to the Baltimore Bibliophile

Posted by csollod on Monday, January 23rd, 2012

CharmCityCurrent.com will be shutting down as of the end of this week, but the Baltimore Bibliophile remains alive and posting. I’m still working out the details of my next blog, but follow me on twitter at #baltimorebooks, or via my new home page, baltimorebooktalk.com. If you want to be on my email list, please email me at baltimorebibliophile [at] yahoo [dot] com.

Meanwhile, I also have upcoming live appearances: Monday, February 13, 7:30pm, at Barnes & Noble Johns Hopkins (33rd and St. Paul), I’ll host the Baltimore Book Club in discussion of The Girl in the Green Raincoat by Laura Lippman.

On Friday, February 24, 6:30pm, at the American Craft Council show at the Baltimore Convention Center, I’ll be leading a panel discussion of Edmund de Waal’s The Hare with Amber Eyes with Susan Elliott of Plays with Needles and other panelists. We’ll talk about crafting, collecting, family, and this wonderful, beautiful, evocative book.

See you around.

Go Ravens

Posted by csollod on Sunday, January 22nd, 2012

Inspired by Dave Rosenthal at Read Street’s column on books to read with “purple” in them, here are excerpts from poems about ravens from Bright Wings: An Illustrated Anthology of Poems About Birds edited by Billy Collins with paintings by David Allen Sibley (Columbia University Press, 2010).

From “Ravens at Deer Creek” by Robert Wrigley:

Ravens circle and swoop
above the trees, while others
swirl up from below, like paper scraps
blackened in a fire.

From “The Ravens of Denali” by Dorianne Laux:

Black wings gathering in the deserted

parking lot below the Assembly of God.

Ravens at play in the desolate fields

of the lord, under the tallest mountain

in North America….

Go Ravens: gather, circle, swoop, swirl, play.

Baltimore inspires

Posted by csollod on Wednesday, January 18th, 2012

Just passing through Baltimore can produce great works. Kwame Kwei-Armah, the new, much-acclaimed director of Centerstage, and Rebecca Makkai, author of the recently published and well-received novel The Borrower, were both inspired by the vibe of the city. In a hotel room and on a friend’s couch, each started major works in their careers here because the muse wouldn’t wait until they got home.

Kwei-Armah told John Lewis of Baltimore Magazine that he was wandering around the city while Elmina’s Kitchen, which had already enjoyed a successful run in London, was being produced at Centerstage some years ago, and he realized he had been here before, that, in fact, he wrote the first few scenes of that very play in a hotel room after seeing Ragtime at the Mechanic Theatre.

Rebecca Makkai told Reese Kwon at Bookslut that she started The Borrower “one afternoon on a couch in Baltimore.” She explained to me that she lived in Ellicott City for a year to be near her fiance, now husband of ten years, who was teaching at Bryn Mawr. She found out about “reparative therapy” programs designed to turn gay people straight and, she says, “I called my mother to tell her how upset I was. She told me I should write a story about it, and I sort of rolled my eyes because she says that about everything. (‘Oh, I’m so sorry you have pneumonia… At least maybe you’ll write a story about it!’) But then I hung up, lay down on the couch, and started making notes.”

The Baltimore Literary Heritage Project

Posted by csollod on Friday, January 13th, 2012

HoCoPoLitSo–The Howard County Poetry & Literature Society, but how awesome is that abbreviation?–just tweeted about The Baltimore Literary Heritage Project, reminding me I’ve been meaning to post about the site, too. Sponsored by the University of Baltimore School of Communications Design and overseen by Jon Shorr, The Baltimore Literary Heritage Project includes short biographies of writers who’ve lived here, along with places and addresses at which each one resided, worked, spent time, or was treated for psychiatric illness. Biographies also include Baltimore landmarks mentioned in the authors’ works. Ideally one day there will also be a downloadable driving tour to authors’ homes. While sitting in front of each house, listeners will be able to hear a brief biography of the writer, then listen to an excerpt of a work written while living there. Shorr points out that the development of the tour is dependent on “free student labor and a certain amount of funding” and that those items have been in short supply lately. Would that some rich, literary patron would take this worthy project under her wing! Would that I were a rich literary patron!

October 27, 1989, by Ed Ochester

Posted by csollod on Wednesday, January 11th, 2012

October 27, 1989
And what did you want?
To call myself beloved, to feel myself
beloved on the earth.
–Ray Carver
He was in a hotel in Baltimore
in a suburb near Johns Hopkins. He would
give a talk there, and they would pay him for it.
It was night, and he was alone; sirens were racing
up and down the streets. The room was very large.
Most of what he had wished as a boy was to write poems,
to have some power with the word, to be paid
for talking. Don’t smile, please. He wanted
to be put in a beautiful room like this.
Bonnie would pick him up in an hour. He saw
out the picture window a few men in trenchcoats
walking toward the parking lot, and beyond that
headlights and taillights on a freeway a mile
or so away. He’d been reading Carver’s last book
of poems, reading “Gravy” and the other valedictories.
He remembered Carver a few years before his death,
kidding about his prosperity, kneeling before his Mercedes
and waving a fistful of dollars, because he was so amazed,
he supposed, to have them, that good man, whose last poems,
written in the knowledge of imminent death, said
love the world, don’t grieve overmuch, listen to people.
The beautiful room was a good place to read; he’d finished
the book (for the second time) at the pine desk, where
the indirect white light hurt his eyes. He didn’t think
he’d ever be as famous as Carver, but who could tell?
He was sorry the man was dead; there was nothing
he could do about that, but he was sorry for it.
He got up to look out the picture window. He could
see the red spintops of some cops’ cars. Other than that
nothing special: in the entrance courtyard a lone cabbie
smoked a cigarette; spotlights shone up through the yellow
foliage of a clump of maples. A few slow crickets.
He had everything he really wanted, he had learned
that friends, like love, couldn’t save him.
Ochester spent most of his long career at the University of Pittsburgh, where he founded the Graduate Writing Program. He also edited the Pitt Poetry Series. Thanks to him for permission to reprint this poem set in Baltimore.

Taxing the Poor, by Katherine Newman

Posted by csollod on Wednesday, January 4th, 2012

Katherine S. Newman writes about poor people. The Dean of the Krieger School of Arts and Sciences at Hopkins wrote about the inner-city working poor in No Shame in My Game (Vintage, 2000), Chutes and Ladders (Harvard University Press, 2008), and A Different Shade of Gray (The New Press, 2006); those just above the poverty line in The Missing Class (Beacon Press, 2008) with Victor Tan Chen; and the once-affluent, newly-poor in Falling From Grace (University of California, 1999). She looks at their plight from a multitude of angles. In her most recent book (until January 17, when The Accordion Family comes out), Taxing the Poor (University of California, 2011), she and co-author Rourke O’Brien examine how higher state income taxes and sales tax on necessary purchases such as food, medicine, and clothing are related to social ills such as property crime, imprisonment, teen parenthood, early mortality, and lack of education.

Newman and O’Brien focus on the Southern states, where sales tax, rather than property tax, has historically been the main base of revenue. Long-standing fiscal practice dating to the Reconstruction era has made it almost impossible for a Southern state legislature, even a liberal one with a liberal governor (eg, Bill Clinton in Arkansas), to raise property or corporate taxes.

Sales taxes, especially those on take-home food, hit the economically disadvantaged harder than those in higher income brackets because the taxes take a larger percentage of already smaller budgets. Taxing the Poor theorizes that this leads to negative results such as less healthy food selections when shopping because “carbohydrates and fatty foods are relatively cheap, as well as filling. When food taxes are levied on top of the basic cost of food, we can expect to see poor families substituting lower-cost food for the more healthful but pricier market basket. This may be one of the routes by which the tax burden on the poor ends up affecting mortality.” I would guess that lower-income families would buy more non-healthful food with more money because food choices are culturally and socially determined, but the rest of Taxing the Poor is persuasively argued. The poor get the short end of the stick coming and going: they pay more in than their counterparts in other areas of the country, and they get less out in the form of “a poorly funded educational system” over generations.

Additionally, Southern states do not provide the large income tax refund to the poor that many Northeastern and Midwestern states do, so Southern families in the lowest income brackets end up paying even more in their total tax bill (income tax plus sales taxes) than similar families in other parts of the country. Newman and O’Brien use clear charts and maps of the United States to show that poor families in Southern and some Western states pay more in taxes. Then, controlling for other factors such as race, poverty rate, unemployment rate, individual state economic health, state expenditures, and federal revenue, they use graphs to show how the South suffers a greater variety of social ills, particularly increased mortality and higher property crime and violent crime rates. They acknowledge that there’s not much of a change in the rates of high school graduation or teen motherhood in areas with higher taxes, but that even with the small change, there are fewer high school graduates and more teen mothers when there are higher taxes.

“Money matters,” the authors point out, “The impact of taxation is to deprive the poor of resources they would otherwise be able to spend” on healthier food, medication, and better housing in better neighborhoods.

The authors go on to show that all U.S. citizens pay when one region of the country can’t support itself. Taxing the citizens least able to pay tax doesn’t produce enough revenue, so Southern states rely more on federal expenditures, receiving more in federal grants than it makes to the government in contributions.

For an academic book on taxes, Taxing the Poor is surprisingly clear, direct, and understandable. More examples of families facing these issues would have been interesting, though could have pushed the book more into Barbara Ehrenreich Nickel and Dimed territory. Ehrenreich supplies the anecdotes; Newman and O’Brien supply the facts and figures and an examination of how very specific and reversible policies hurt the poor.

Dean Katherine Newman piece in New York Times

Posted by csollod on Thursday, December 29th, 2011

Katherine Newman, Dean of the Krieger School of Arts and Sciences at Hopkins, has a piece in the New York Times‘ feature Room for Debate about whether or not intergenerational families under one roof is a good thing or a bad thing. She points out that sometimes it’s a good thing, and sometimes it’s not: good feelings about the situation “last only as long as signs of progress toward independence are visible. If Johnny is playing video games in the basement, the situation can become fraught in a hurry.”

Newman has a new book, The Accordion Family: Boomerang Kids, Anxious Parents, and the Private Toll of Global Competition, coming out in January. I promise to review Taxing the Poor, her most recent book, before it does.

Passager Fall 2011

Posted by csollod on Wednesday, December 28th, 2011

The Fall 2011 issue of Passager, a poetry journal out of the University of Baltimore featuring writers over 50, highlighting the work of the 2011 Passager Poetry Contest winner, Penelope Scambly Schott. Either I’m starting to like poetry more, or I like older poets better, or I just find this issue particularly appealing. I’m a practical, concrete sort of person, hence my involvement in the business of books rather than writing them. So I like a poem with a bit of narrative arc, or a clear point, rather than those that capture vague feelings or moments. My favorites in this issue include Susan Cohen’s “Spousely-Held,” which must be read aloud to fully appreciate her made-up words inspired by a mortgage agent’s phrase “spousely-held:”

Even after I no longer want

to be arousely-held, love,

I’ll want to be spousely-held.

I also love Jay Rubin’s “In Praise of Gray,” wishing his wife would allow “her argent age to shine.” Hear, hear!

Poets included in Passager come from all over the country, but Maryland residents include Joyce S. Brown, “Physical Therapy;” Joyce R. Ritchie, “White Chick Hits the Road;” Jack Slocomb, “Sometime I’ll Take You There;” and Rossme Taylor, “Mnemosyne.” University of Baltimore professor and photographer Jon Shorr took the cover photo of a whale’s fluke and repeats a conversation heard on a whale-watching trip:

“Are the whales performing for us?” the woman standing next to me asked the naturalist.

“Don’t give yourself so much credit,” he answered, “They’re eating lunch, doing what they do. We just happen to be here watching.”

My one quibble with Passager is their stand on not publishing excerpts online or having too much of an online presence. They insist the magazine is meant to be held and passed around, that it’s physical presence is as important as the work of the poets in it. Being online makes work easier to share and gives the poets an opportunity to be more widely read. Electronic dissemination of work enhances the physical journal, which can still be printed. I can certainly understand not wanting to put the entire issue online, but excerpts from poets included intrigue the internet reader and encourage them to order a hard copy of the complete journal, although it’s not possible to buy it directly online, which is another lack. Publishing excerpts online is a marketing tool and it’s good for the authors. A journal published only in print will be lost, and in the case of Passager, that would be a real shame.

New book by John Waters coming

Posted by csollod on Thursday, December 15th, 2011

John Waters

According to Publishers Marketplace/PublishersLunch, a go-to website and daily email for those interested in the book publishing business, John Waters will be coming out with a new “undercover travel adventure,” to be published by Farrar Straus, who also published Waters’ Role Models, a memoir, last year. No publication date was given. 2012? 2013?

WTMD had an excellent interview with Waters on Tuesday, in which he gave a shout-out to Atomic Books, calling it one of the best bookstores in Baltimore, and said that the wreath on his door was made of thorns. Perhaps he could reuse it for Easter.

He’ll be performing his one-man show “A John Waters Christmas” Wednesday, December 21, at the Lyric Opera House.

“You live in Baltimore. What’s the literary community like there?”

Posted by csollod on Wednesday, December 14th, 2011

Local writer Laura van den Berg recently finished her Innovators in Lit series for Ploughshares. The first one, back in August, featured Baltimore’s own Adam Robinson of Publishing Genius. The interview features one of my simultaneously favorite and least-favorite questions of all time: “You live in Baltimore. What’s the literary community like there?” Does anyone ask that about New York or San Francisco? No. So I’m insulted. But no one asks that about other smaller (ie, “second”) cities like Portland or Minneapolis, either, because those literary communities have made themselves known. I’d like Baltimore to be known for its literary life, too, and Adam Robinson and Laura van den Berg are part of that.

I love that Innovator #11 is New Directions Press, also one of my favorites, which has been around for more than 75 years. Tom Roberge, Publicity and Marketing Director, notes that New Directions is a business, not a non-profit, and is run with attention to the bottom line while publishing great works. I love and respect it.