This site is no longer being updated. View a directory of Maryland blogs and daily hand-picked posts at BaltimoreSun.com/localblogs.

Stitches, Threads, & Bonds

Posted on Friday, July 9th, 2010 at 10:46 am

In 2005, Gwen Marable, a descendant of Benjamin Banneker’s sister Jamimah, commissioned Bernice Clarke, a member of the African American Quilters of Baltimore, to create a quilt. The squares for it were  inscribed by dozens of Banneker family members. Now, five year later at the Banneker Historical Park & Museum in Catonsville, Gwen offers us thread and yarn, and buttons and sequins, with the opportunity to embellish the quilt.

The invitation to adorn Gwen’s quilt comes in Stitches in Time, Threads of Change, where Dr. Joan M. E. Gaither, an educator and well known advocate for community quilting, exhibits the quilt she created to tell the story of her family dating back to 1882. “Multiple layers of attachments offer clues to the events of past and present family members,” she tells us about this richly layered piece. Beads surround each of her many relatives whose faces are printed on the cloth.

YouTube Preview Image

 

Many separate squares held together not by firm stitches but by large safety pins that could easily be released, make up Quilting as Community (2010). This collaboration is the work of 28 students in the fifth grade at Thunderhill Elementary School in Howard County. Each square tells the personal story of a child.  Lindsey, perhaps better known as “Linz” includes family photos, the Star of David, and an image of the certificate from her naming ceremony in 1999; Allen, clearly a minimalist, features a golden retriever and a basketball; and an unnamed quilter leaves us with “RIP Lucky” and the images of six bunnies.

Photograph by Genevieve Kaplan, Education & Public Programs Manager at the Banneker-Douglass Museum in Annapolis

Photograph by Genevieve Kaplan, Education & Public Programs Manager at the Banneker-Douglass Museum in Annapolis

 

Photograph By Caro Sturges

Photograph By Caro Sturges

 

Photography By Caro Sturges
Photograph By Caro Sturges

 

The student’s art teacher, MICA grad Caro Sturges, was there to interpret the quilt for me. The children she taught had all been together since kindergarten, but were about to be dispersed to many different middle schools when they began the quilt. 

A community facing separation, they wanted to be able to take their squares with them to their new schools. Their work embodies the ebb and flow of colleagues, friends, and families around all of us.

For inspiration, Caro instructed the kids to think of a person who had been influential in their life. Many responded: does it have to be a person? This explains the dogs, cats, and bunnies that abound!

Photograph By Polly Jazwiecki

Photograph By Polly Jazwiecki

 

You can see Stitches in Time, Threads of Change through April 2011.  And for those who love quilts as I do: 

Filed in: Benjamin Banneker Historical Park & Museum, Enoch Pratt Free Library.



 

Leave a Reply

  • About Doreen Bolger

    Doreen Bolger is always on the move because she can’t stop seeing, supporting, and writing about the arts in and around Baltimore City. Her lengthy love affair for the arts began in Long Island when her father, an executive in the textile industry, brought home breathtaking fabrics every night from the heart of the garment district.

    Since becoming the Director of the Baltimore Museum of Art in 1998, Doreen has reinvigorated the BMA’s commitment to look within the Museum’s world-renowned collections to organize major nationally and internationally traveling exhibitions, furthering Baltimore’s reputation as a cultural destination.

    Part of Doreen’s delight in leading the BMA is that the Museum has free admission for everyone, everyday.

    Before reaching Baltimore, Doreen directed the Museum of Art at the Rhode Island School of Design. There, she realized the importance of working with living artists and the impact they have on their communities.

    She spent 15 years on the curatorial staff at The Metropolitan Museum of Art before leaving New York for Texas and the Amon Carter Museum. With a Ph.D. in Art History, Doreen is an expert in 19th-century American painting and has written extensively about the subject.

    Doreen currently serves as a board member of the Greater Baltimore Cultural Alliance, Maryland Citizens for the Arts, the Central Baltimore Partnership, and the Charles Street Development Corporation.

    If you ask her who her favorite artist is, she quickly answers “Thomas Eakins!” before recalling William Michael Harnett and J. Alden Weir.

  • recent charm city current posts

  • recent comments

  • RSS the bma on twitter

  • categories

  • archives