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The Summer Season Isn’t Over

Posted on Thursday, August 26th, 2010 at 12:02 pm

Found Art, Photo by Alex Ebstein, Posted on http://thereweretentigers.blogspot.com

Earlier this summer, after MICA undergraduates emptied their rooms and studios, Michael Farley cleverly dove into the dumpsters. Surrounded by trash, he found treasures: plaster cast pistols painted with yellow day glow paint; a mysterious rope and boat anchor; and a photo of a grimacing woman.  

His discoveries were on view in the thoughtful (and witty) show at Annex Theater and Gallery, Authorship &  Appropriation: the Artist & the Found, where the “found” concept (pioneered by Marcel Duchamp) operated on multiple levels.  The exhibition closed earlier this month, but there’s plenty of creativity flowing throughout the City until the fall exhibition season starts. 

Art Work by Andrew Liang, Photo by Alex Ebstein, Posted on http://thereweretentigers.blogspot.com

Don’t miss Windup Space’s Double Dribble, a one-person show from Andrew LiangFor it, he’s plastered colorful characters across the walls, bringing to life a cockroach choir, mice driving sports cars on a cat-tongue road, running (literally) noses, dolphins, winged horses, and much more. All-in-all, it’s a dizzying, but delightful combination.  Only a few items aren’t spoken for so hurry there if you’re looking to buy. (Andrew is one of the talented artists who recently reopened the multi-disciplinary Current Space. There, Baltimore vs the World is on view until September 5.) 

 

John Chiara, Echo Lake at Meyers Grade

In Gallery Four’s amazing exhibition, You and Me Living Today: Vol.2: The Land, John Chiara uses old school techniques to brilliantly defy assumptions about art in our digital age. In Echo Lake at Meyers Grade, he arranges a series of photographs across a full wall, taking advantage of Gallery Four’s commitment to giving artists ample space to display ambitious work. Read Jessica Dawson’s review of Chiara’s “abject panoramas” in The Washington Post or watch the clip below to learn more about how John creates these remarkable works. 

YouTube Preview Image 

Letha Wilson's Pink Cairn on view at Nudashank, www.lethaprojects.com

 

 

Baltimore-based photographer Andrew Laumann selected examples of photography for the exhibition Day Glow at Nudashank. For those of you (like me) who missed the opening, check out the closing party on September 3 and Peter Boyce’s review with a slideshow on Radar Redux

 

 

 

 

 

 

POMP, an all-women show exploring celebration and honor, opened at Fifth Dimension, on August 21—more about that next time! 

Filed in: Annex Theater, Fifth Dimension, Gallery Four, MICA, Nudashank, The Windup Space.



 

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  • About Doreen Bolger

    Doreen Bolger is always on the move because she can’t stop seeing, supporting, and writing about the arts in and around Baltimore City. Her lengthy love affair for the arts began in Long Island when her father, an executive in the textile industry, brought home breathtaking fabrics every night from the heart of the garment district.

    Since becoming the Director of the Baltimore Museum of Art in 1998, Doreen has reinvigorated the BMA’s commitment to look within the Museum’s world-renowned collections to organize major nationally and internationally traveling exhibitions, furthering Baltimore’s reputation as a cultural destination.

    Part of Doreen’s delight in leading the BMA is that the Museum has free admission for everyone, everyday.

    Before reaching Baltimore, Doreen directed the Museum of Art at the Rhode Island School of Design. There, she realized the importance of working with living artists and the impact they have on their communities.

    She spent 15 years on the curatorial staff at The Metropolitan Museum of Art before leaving New York for Texas and the Amon Carter Museum. With a Ph.D. in Art History, Doreen is an expert in 19th-century American painting and has written extensively about the subject.

    Doreen currently serves as a board member of the Greater Baltimore Cultural Alliance, Maryland Citizens for the Arts, the Central Baltimore Partnership, and the Charles Street Development Corporation.

    If you ask her who her favorite artist is, she quickly answers “Thomas Eakins!” before recalling William Michael Harnett and J. Alden Weir.

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