Archive for the ‘Edgar Allan Poe’ Category

Social Networking: Not Very Social

Posted by Doreen on Thursday, December 31st, 2009

Did you know that loneliness is contagious? That it can spread among friends and across social networks? So say researchers who recently published a study, conducted over the course of 10 years at three leading American universities: Harvard University; the University of Chicago; and the University of California, San Diego.

If your list of New Year’s resolutions includes experiencing more meaningful connections with your family, friends, and neighbors, consider joining psychiatrists Dr. Jacqueline Olds and Dr. Richard S. Schwartz in the BMA’s Meyerhoff Auditorium on January 10 at 3 p.m.

Olds and Schwartz, authors of The Lonely American: Drifting Apart in the Twenty-first Century, published in 2009, will speak to how the modern American lifestyle leads us to feel lonely. As O, The Oprah Magazine wrote of these two Harvard Medical School psychiatrists: “their finger is on the pulse of something very real.”  WYPR Culture Contributor Tom Hall will interview Olds and Schwartz about social isolation and its impact—and audience members will have ample opportunity to pose questions.

In their book, Olds and Schwartz hone in on a fundamental contradiction in contemporary American life: we feel that we must be busy all the time, yet this busyness isolates us from family and community. We work harder and longer, fill our calendars with obligations and activities, and even over schedule our children, yet many of us still feel a deep sense of isolation.

Social networking increases this feeling of loneliness. We are tethered electronically to others, but experience little of the old-fashioned sense of friendship, common cause, and community engagement that offered comfort in years past.

The Ritual of Public Solitude by Tonya Gregg

The Ritual of Public Solitude by Tonya Gregg

In the drawing above, currently on view at the BMA, Baltimore artist Tonya Gregg captures the sense of isolation that results from obsessive preoccupation with life on the internet, a sheer visualization of Olds and Schwartz’s thesis.

Entrance

The impetus for Olds and Schwartz’s discussion at the BMA was the Museum’s current exhibition Edgar Allan Poe: A Baltimore Icon, and Alone, the only poem we know Edgar Allan Poe wrote in Baltimore.

Before you come to the discussion on January 10:

•Read Poe’s Alone.

While you’re at the BMA:

•Visit Edgar Allan Poe: A Baltimore Icon, which explores the theme of love and loss through Édouard Manet’s illustrations for Poe’s most famous poem, The Raven

•See the companion exhibition, Baltimore Inspired by Poe, co-organized with the community arts group Art on Purpose.  It features work by teaching artists and community participants, who took part in workshops last spring at the Enoch Pratt Free Library.

Your Free Friday Film Night

Posted by Doreen on Friday, December 11th, 2009

Still from The Casket of Lady Rowena by Ben Winter, screening Friday, December 11.

Still from The Casket of Lady Rowena by Ben Winter, screening Friday, December 11.

Wherever you were last Friday night—if it wasn’t the BMA, don’t repeat your mistake tonight. Be there for the final screening of original films by area filmmakers, The 48 Hour Film Project: A Cinematic Celebration of Edgar Allan Poe.

This fantastic journey into the macabre was curated by Baltimore’s Rob Hatch, a talented videographer whose work has been featured on HBO and The Discovery Channel as well as in Michael Moore’s Fahrenheit 9-11. Participants were given a theme—Love & Loss, Fear & Terror, or Madness & Obsession—from the BMA’s exhibition Edgar Allan Poe: A Baltimore Icon. The filmmakers then chose a character or a line from a Poe story. As Hatch explained, because this was a celebration and not a competition, he elected to give filmmakers more than 48 hours to complete their work if needed. The results show his wisdom!

Speaking as the curator of the BMA’s exhibition, I was thrilled with the high level of creativity evident in Charm City’s filmmakers.

Some stuck close to the author’s plots and words. In Life in Death, Franciska Farkas, Diana Gross, and Amy Genevieve Kozak created an elegant and powerful rendition of Poe’s The Oval Portrait, a short story about an obsessed painter who dabs at his bride’s portrait for so long that she expires before it is completed.  Poe’s words narrate romantic scenes shot at local historic sites, The Cloisters in Baltimore County and the Garrett Jacobs Mansion in Mt. Vernon.

Still from Life In Death by Franciska Farkas, Diana Gross, and Amy Genevieve Kozak, screening Friday, December 11.

Still from Life In Death by Franciska Farkas, Diana Gross, and Amy Genevieve Kozak, screening Friday, December 11.

In Rabbit Hole by Nick Prevas, the male character sought his lost Lenore of The Raven fame. Here, however, the lovely but weird lady suffers from narcolepsy. Like Alice in Wonderland reborn, she appears and disappears from a closed coffin, sucked into a dark space where a huge dancing rabbit presides over mysterious events. Parts of this film were shot in a warehouse in Pigtown. Clearly, Baltimore offers no end of evocative sets!

Stephanie Barber captured the essence of The Tell-Tale Heart in her film of the same name with incredible economy—no blood, no gore, just a bare wooden floor and the terrifying beating of the victim’s heart.

Other filmmakers brought Poe’s concepts very much into the 21st century. In The Purloined Letter by Many Americans Productions, a slightly pompous statesman seeks a missing disc—the digital version of the damaging letter that is stolen from a member of the royal household in Poe’s short-story, The Purloined Letter.

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Bryan “Grasshopper” Robinson’s Recess moves further away from a one-on-one correspondence to Poe’s writing, but captures perfectly the writer’s fascination with unbalanced minds. Two obsessed women—one unreasonably focused on board games, the other a devotee of fragrances inserted in fashion magazines—seek friendship with each other.  Suffice it to say, their obsessions get in the way!

Chris Lamartina’s drawings for The Immature Burial invent a graveyard romance between a boy and girl that culminates in the dismemberment of a cat, which seeks vengeance by decapitating his murderer (the ultimate revenge of Poe’s feline in The Black Cat).

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You can see some of these shorts, plus a whole new set of films at the BMA tonight from 8 p.m. to 10 pm. And try to see the filmmakers’ inspiration, Edgar Allan Poe: A Baltimore Icon, open from 6 p.m. to 8 p.m. 

The exhibitions and screenings are both FREE!  Come early; space is limited and there was a very full house last week.

Mark your calendar

Look for Streetfilms in Baltimore with special guest Clarence Eckerson Jr. at the Metro Gallery on January 5 at 5:30 p.m. Streetfilms produces videos that show how cities around the world are reclaiming their streets for pedestrians, cyclists, and transit riders.

The Poe-tential for an Art-Full Life in Charm City

Posted by Doreen on Friday, November 20th, 2009

The edgy Single Carrot Theater presented Poe Project at the Load of Fun on North Avenue.

Those of us who live here may have forgotten just how incredible Baltimore is—not only for low-cost living—but for living well. High-quality arts experiences can be at the center of our plans any and every day.  This year, the 200th anniversary of Edgar Allan Poe’s birth has inspired a remarkable collage of free arts events.

Poe Project 3As a Poe devotee, Halloween weekend was truly a high point. The edgy Single Carrot Theater presented Poe Project at the Load of Fun on North Avenue. The Carrots welcomed 35 of us to their theater and then had us walk around the corner and through a graffiti-ed alley to their more intimate rehearsal space.  There, we were invited to participate in an evocative performance of Poe-ms, written by Genevieve de Mahy using words from Poe’s cannon. De Mahy’s Poe Project captured the emotional depth of this eerie writer’s personal challenges and tragedies—taking us from the sensuous to the desperate.

“Art & Addiction” was the topic at the BMA on Sunday, when Art on Purpose took great art and made it poignantly relevant for all of us. The event was based on a theme from the Poe exhibition I curated at the Museum—Edgar Allan Poe: A Baltimore Icon, which features works by Édouard Manet, Paul Gauguin, and Henri Matisse (all huge Poe fans!).

Art on Purpose built on the recollections of the unbalanced narrator of Poe’s short story “The Black Cat”, who exclaimed “for what disease is like alcohol?” A scientist, a poet, an installation artist, and a musician revealed the toll addiction has taken on our community.  Clarence Brown, a writer and ex-bouncer in recovery, read poems so powerful that I found myself holding my breath until his final words. We cheered for his victory!

More free Poe and Art-Full Life weeks are ahead.

Nevermore 2009 chronicles Baltimore’s response to Poe’s bicentennial. Let me know how you are celebrating Poe’s 200th birthday—and the Art-Full Life in Charm City!