Don’t miss Baltimore: Open City, an interactive exhibition that explores whether Baltimore is—or ever was—a city where residents welcome others to their neighborhoods, regardless of race, class, or other differences. Installed in the Market at 16 West North Avenue and created by MICA students with their professor, architect, and urban planner Dan D’Oca, Open City offers a real opportunity for deep reflection and honest discussion.
A graphic timeline from 1800 to 2000 displays an array of news clippings, photographs, and documents that chronicle intolerance with examples in housing, transportation, and development.
As you approach Landscape of Opportunity by Matt Lohry and Chris McCampbell, you might think that you are viewing a topographic map of the region. Instead, it represents the quality of life experienced by residents in neighborhoods in and around Baltimore. Bundles of old wooden lathes removed from aged plaster walls stand erect, representing economic measures analyzed by the ACLU and the NAACP Legal Defense Fund. You can see the job prospects, student poverty rates, and property values of each neighborhood—the higher the bundle of lathes, the more prosperous a neighborhood. I peer into the center of the piece, finding the location with the fewest opportunities. It’s surrounded by flourishing neighbors with lathes shooting up into the air.
Nearby, a 10-foot-square map of the city fills the center of the floor. Two footprints that move from the bare gray floor to the map’s plastic surface invite us to walk on it. Sixteen slim metal poles hold flags representing different neighborhoods around the city; each one shows the role that place played in Baltimore’s racial history.
Elle Perez and John Aquila filmed street interviews with Baltimoreans, who shared their experiences and feelings about the city, capturing some up-to-the-moment perspectives on just how open a city we live in. Every Wednesday, a new set appears.
Goodbye We Buy Houses is a playhouse built of the illegal signs, printed and handwritten, we all see around the city on light poles and vacant houses. “We pay cash,” they promise. In reality, they target and exploit those struggling financially.
Legacy documents Andrew Pisacane’s haunting street portraits of figures whose perspective on urban planning and development shaped Baltimore City. These range from Jim Rouse and Robert Moses to Ashbie Hawkins.
MR FURA in Memoriam by resident artist Damon Richexamines the creation of the 925-acre Mount Royal-Fremont Urban Renewal Project in the neighborhood where MICA now stands. His photo collage represents buildings new and old, residential and commercial, private and institutional, an explosion of architecture with disorienting disjunctures of space, scale, and time. Nearby, a model indicates where concentrated public housing was inserted into the historic fabric of the community.
There is central seating in the exhibition where visitors can think, talk, or just relax. Structural pillars are papered with words and images that relate to the theme of the show. ACTION! Hi, Neighbor, Open, and URBAN RENEWAL, CITY call out to us among drawings and logos of houses, all in high contrast black and white.
The rich menu of programming at Baltimore: Open City and across Baltimore is listed on the exhibition’s site.
Saturday, April 23, take part in:
- A bus tour with Antero Pietila, acclaimed author of Not in My Neighborhood: How Bigotry Shaped a Great American City beginning at noon at North Avenue Market (RSVP, space is limited)
- An open house with Damon Rich, resident artist, from 4 to 6 pm














Doreen Bolger is always on the move because she can’t stop seeing, supporting, and writing about the arts in and around Baltimore City. Her lengthy love affair for the arts began in Long Island when her father, an executive in the textile industry, brought home breathtaking fabrics every night from the heart of the garment district.