Archive for the ‘Henry Walters’ Category

“Egg…Modern”

Posted by Gary Vikan on Friday, March 5th, 2010

Photo: GV

Photo: GV

TWO IMPERIAL FABERGE EGGS

THE TREASURY, THE WALTERS ART MUSEUM

How did these magnificent mementos of a vanished age make it to Baltimore?  Both eggs remained treasured possessions of Russia’s imperial family until 1917, but after that year – after the Revolution –, they disappeared. 

More than a decade later, in 1930, the building superintendent of what was then the private “Walters Art Gallery,” was checking the contents of a crate containing the artworks Henry Walters had purchased on his last trip to Paris.  The manifest listed two items which, in the most humble way, eventually proved to be of extraordinary interest – and value (quote): “one egg in white enamel with a ring of little enameled pearls … modern” and “one copper egg decorated with enameled roses, modern.”

“Orphaned” and unknown then, the Gatchina Palace and Rose Trellis Imperial Easter Eggs have since come to be recognized as among the greatest treasures of the Walters Art Museum.

Posted in Art, Baltimore, Henry Walters, Museums, The Walters, Uncategorized | 29 Comments »

Win a Prize? Guess how much…

Posted by Gary Vikan on Monday, March 1st, 2010

These are 3000-lb, lion-headed godesses, 14th century BC, from Thebes

WALTERS ANCIENT EGYPT GALLERY

The prize is a one-year membership in THE WALTERS ART MUSEUM, with all the substantial rights and benefits that accrue thereto.  Like free entry to museums all over the country, and discounts at local restaurants.  Plus, best of all, free admission to ticketed shows at the WAM, and to all its great programs. And, of course, our members help keep the Walters’ permanent collections free for the public!

Anyhow, Henry Walters bought six Sekhmets in his lifetime. These are 3000-lb, lion-headed godesses, 14th century BC,  from Thebes. Like the two in the picture.

But he gave them all to the MET in New York!  Well, he lived there (in NYC), was VP of the MET at the time, and they’re pretty heavy and hard to move.

The British Museum has something like 33 Sekhmets, but shows only a few.  So we asked the BM: can we borrow two of yours for 10 years?  Yes, they said, but you have to pay to get them from our store room in London to your gallery in Baltimore.

Fair enough.

So, the contest is easy: how much did that cost?  All inclusive.

And like “The Price is Right,” the winning guess will be that one closest to the actual cost, without going over.

GV

PS: If I’ve told you the answer over the years, please sit on your hands.

Posted in Art, Baltimore, Henry Walters, Museums, Uncategorized | 816 Comments »

Object of the Week: A BIG Painting Re-Discovered

Posted by Gary Vikan on Monday, February 22nd, 2010

Installing a huge altarpiece by the Italian Renaissance artist Michele Coltellini

In 1912 Henry Walters bought a huge altarpiece by the Italian Renaissance artist Michele Coltellini signed and dated 1506 (http://art.thewalters.org/viewwoa.aspx?id=1627).  But because it was so grimy, so difficult to see and admire, it remained on a rack in deep storage for decades. 

For two full years, between 2003 and 2005, Coltellini’s dirty altarpiece was the sole project of a single Walters conservator named Gillian Cook.

As the cleaning unfolded it became increasingly clear that despite the layers of dirt, there was something very exciting and wonderful beneath.  For unlike nearly all paintings of this scale from the Italian Renaissance, our Coltellini, in its entire 500-year history, had never before been cleaned!  Which means that beneath the grime the painting was pristine.

Gradually, through the meticulous work of our conservator and with the aid of thousands of saliva-empowered Q-Tips a cleaners, a gem of a Renaissance painting began to appear.  One which, like very few others, still retained those translucent top glazes of paint that allow light to travel into and come back out of the work.  And by which, the colors are made to glow.

Come and see for yourself, for we have given Coltellini’s great altarpiece, “The Madonna and Child Surrounded by Saints,” pride of place at the center of the east wall in our Early Renaissance Gallery.

Posted in Art, Baltimore, Henry Walters, The Walters, Uncategorized | 84 Comments »

Friday from the Vault: The Nuremberg Torture Instruments

Posted by Gary Vikan on Friday, February 19th, 2010

Henry Walters occasionally bought some very odd things. Probably the strangest of all was the collection of  “Nuremberg Castle Torture Instruments” – 625 items in all, including gallows hooks, iron masks, executioners’ swords, manacles, thumb-holders, whips, and pillories. The Nuremberg Torture Instruments

The most spectacular object in the collection was the “Celebrated Original Iron Maiden,” a (quote) “terror-inspiring” two-part wooden contraption fitted with iron spikes, which, when closed, would impale the occupant.

An English art dealer named Julius Ichenhauser purchased the collection in 1890, and sent it on tour in Great Britain, including Louis Tussaud’s Maddox Street Galleries.  The press went wild.  The London Morning Advertiser of May 18th, 1891 reported that (quote) “it may be safely affirmed that there is nor more comprehensive and reliable collection its kind in the world.”

In 1905, Ichenhauser talked Henry Walters into buying the entire Nuremberg Torture Collection, along with a “Criminal Library.”  Was Henry swayed by twinges of Gothic romanticism from his childhood reading?

We don’t know.

But we do know that soon, Henry Walters came to the realization that he had made a mistake.  Though in fact, he may have had some wise council help him come to that conclusion.  For according to local lore, Henry Walters’ decision to “deaccession” the Nuremberg Torture Collection, came in response to the powerful voice of his neighbor on Charles Street, just two blocks south: none other than James, Cardinal Gibbons.

Posted in Art, Baltimore, Henry Walters, Museums, The Walters, Uncategorized | 736 Comments »

Friday from the Walters Vault: The Fake that Wasn’t

Posted by Gary Vikan on Friday, February 12th, 2010

Henry Walters

Henry Walters

In 1903 collector Henry Walters purchased the Vierge Ouvrante or Opening Madonna—an ivory statuette whose front half is hinged and can open(http://art.thewalters.org/viewwoa.aspx?id=36652).

Closed, the seated Madonna with Christ on her lap is visible, and when opened scenes from the Passion of Christ are displayed.

J.P. Morgan wanted it, but Henry Walters got it, and it was expensive.

In the 1980s  the Vierge Ouvrante was taken off view, and it stayed in storage  for almost 15 years.

Why?

Because this once “unique” piece had three near twins in France, and they had all been condemned as fakes because of clear mistakes in their iconography.

Closed case?  Not so.  Science came to the rescue!

J.P. Morgan

J.P. Morgan

In 1998, the Walters had the Opening Madonna carbon-14 dated for an exhibition. The test results showed that it dated to around the year 1200, confirming it was genuine.

So, why were there three similar reproductions of the Walters’ Opening Madonna?

During the French Revolution, the Walters Vierge Ouvrante was turned into a children’s toy fit with four small wheels and a pull cord.

Once the French got their religion back, it was sent to Paris to be fixed, by artisans who were very good at repairing works of ivory in the medieval style. They were so expert, in fact, that they decided to make three faked copies. Each was good, but not perfect, and each was sold to a major French collector.

Three collectors were taken, but Henry Walters got it right! And beat out J.P. Morgan.

Posted in Art, Baltimore, Forgeries, Henry Walters, The Walters, Uncategorized | 1 Comment »