BUSHELL, S.W, ORIENTAL CERAMIC ART ILLUSTRATED BY EXAMPLES FROM THE W.T. WALTERS COLLECTION, NEW YORK, APPLETON, 1896
NUMBER 42 OF 500
Estimated to sell for $64,685- $103,
Curator Rob Mintz comments on the upcoming sale of a rare and important set of books, “Oriental Ceramic Art”. Mintz is working on an upcoming focus show at the Walters. The show is about this set of books, and the unique artistic process that went into making it.
On Wednesday December 1, 2010 Christie’s auction house in Hong Kong will offer some lucky bidder the rare oportunity to acquire a most unusual and historically important book. The ten volumes of Oriental Cermaic Art put up for bid constitute one of the few complete, privately held copies of the catalog of William T. Walters’s collection of early modern East Asian ceramics.
While today it is easy to think of dozens of worthy but rather unremarkable catalogs of private Asian ceramics collections, when Oriental Ceramic Art was published in 1896, it was truly the first of its kind. The ten volumes contain an illustrated text written by Dr. Stephen W. Bushell. The volumes also contains 116 separate color lithographs produced by Louis Prang & Co. of Roxbury, MA. To produce these portrait-like images of the collection, technical artists James Callowhill and his two sons spent nearly a decade living in Baltimore and carefully constructing watercolor paintings that captured the shapes, colors and even the delicate play of light across the glassy surfaces of the ceramics. Today, Oriental Ceramic Art stands as a monument marking both Mr. Walters’s passion for East Asian ceramics, and the emergence of the illustrated collection catalog as a permanent record of the collector’s accomplishments.
But what will the market decide this set of books is worth? It is one of only 500 sets that were printed, so scarcity may drive its price. It was a luxury product when it was made, but today luxury printing has far surpassed what is contained within these voulmes. Then again, it is an amazing example of 19th century chromolithography. Perhaps the market will understand this book to be a significant landmark in the history of book production, or perhaps it will sell quitely as a lovely example of early art catalog production. Of course, we would like to think the value of these volumes lies in part in the knowledge that the collection they record is still intact and housed within the Walters Art Museum, but in Hong Kong this may not be the first thought that comes to a potential buyers mind.



Gary Vikan, director of the Walters Art Museum since 1994, has been with the Baltimore institution for more than 20 years. A native of Minnesota, Gary received his B.A. from Carleton College in 1967 and his Ph.D. from Princeton University in 1976 before working as Senior Associate for Byzantine Art Studies at Dumbarton Oaks in Washington, D.C.