Posts Tagged ‘mambu badu’

Mambu Badu has officially launched!

Posted by Danielle on Sunday, May 1st, 2011

It’s here. After months of planning, of meetings, of scheming and dreaming between three 20-something photographers on two different coasts,  the inaugural issue of the Mambu Badu magazine is finally here.

Some background information:

Mambu Badu is a photography collective that seeks to find, expose, and nurture emerging female photographers of African descent.

“Mambu Badu” is an adaptation of the Swahili phrase “Mambo Bado” which is loosely translated as “the best has yet to come.” At this moment, we dwell in an exciting space of possibility where we can grow as artists.  We invite other Black/African American female photographers to join us in this journey. We are approaching our art and this collective with a with a humble heart, a curious nature, and a persevering spirit.

Please click the photo above (the cover image is by Nikita Gale, who was also the subject of one of my first posts for Innervisions) to launch the magazine. Feel free to leave a comment here or email themambubadu (at) gmail (dot) com.

Mambu Badu: From NYC to Paris

Posted by Danielle on Monday, April 4th, 2011

Cross-post from my other labor of love, Mambu Badu:

As the ladies of Mambu Badu are working away on the inaugural magazine and logistics for the summer exhibit, the first cohort of selected artist have steadily been working on some great projects.  See what these photographers have been up to and do not hesitate to shoot us an email with questions.

We are definitely planning future calls for entry so be sure to subscribe to our posts, follow us on Twitter (@mambubadu), ‘like’ us on Facebook, and email us (themambubadu@gmail.com) to stay up-to-date on the latest news from Mambu Badu.

(c) Yodith Dammalash, 2011 from the Gama Series

  • SHOW ME YOUR TAX BRACKET // A mixed media, invitational group exhibit featuring over 40 artists from St. Louis, across the United States and Canada. (Curated by Bryan Walsh and Danielle Spradley @ Aisle 1 Gallery)  The exhibit will open March 18, 2011 and continue through April 16, 2011. Gallery Hours: Saturdays Noon-4pm or by appointment
  • Gama Series, an on-going series about my Ethiopian-born grandmother living in America.

NIKITA GALE

  • Currently showing work at the Auburn Avenue Research Library in Atlanta until April 30th.
  • Participating in Irrational Exuberance, a group show at the Invisible Dog Gallery in NYC from April 30th – May 8th.
  • Collaborating with Streetela, Atlanta streetwear brand.  Show will be held April 9th at Studio 900, Atlanta.  Interview.
  • Showing work in a silent auction and fundraiser for AALAC at Kai Lin Gallery in Atlanta on April 14th.
  • Currently, Sheree is working on her book and as documentarian for Brotherman Comics.

TONIKA “TONI” JOHNSON

  • The youth journalism program co-founded by Tonika “Toni” Johnson, was recently featured in The Chicago Tribune Newspaper.
  • Tonika recently returned from Paris, France photodocumenting the concert of Chicago’s local rapper, Rita J, at La Bellevilloise.

NKECHI EBUBEDIKE

  • Currently working as a producer on a documentary focused on the creation of “Rational House,” a low-cost, sustainable urban housing development in London. The project will be launched at the prototypes unveiling this summer.

The LADIES OF MAMBU BADU are up to a few projects as well:

  • Ms. Alice Wonder AKA Allison McDaniel just posted a series of photographs entitled, “It’s Warm Somewhere.” While the east coast has been battling through its share of frigid weather, Allison’s warm and inviting photographs are a reminder sun, shorts, and picnics are not too far away.
  • Danielle Scruggs‘ self-portraits were just published in F-Stop Magazine Issue #46, “All About Me.” Scroll to the 12th row to see two of her images.
  • Kameelah Rasheed‘s photographs of South Africa were published in Harvard’s Transition Magazine.  Kameelah’s conceptual piece, “Counterfeit: Like a Virgin” was published in South African-based magazine, ITCH.  Her essay, “Lines of Bad Grammar” is published in the book I Speak for Myself:  American Women on Being Muslim, which will be released on May 2nd.  She is interning for Liberator Magazine and is interviewing New York-based artists including Laylah Amatullah Barrayan, Jamel Shabazz and Dread Scott.

Mambu Badu | A New Photography Collective

Posted by Danielle on Tuesday, September 21st, 2010

I’m so excited to launch this project with two extremely talented photographers. We’ve been working together on this for a while and I can’t wait to see the kind of response we get for our first call for entry.

Mambu Badu // Photography Collective

Mambu Badu is a new photography collective created in 2010 that seeks to find, expose, and nurture emerging Black/African-American female photographers.

“Mambu Badu” is an adaptation of the Swahili phrase “Mambo Bado”, which is loosely translated as “the best has yet to come.” At this moment, we dwell in an exciting space of possibility where we can grow as artists. We invite other Black/African American female photographers to join us in this journey. We approaching our art and this collective with a with a humble heart, a curious nature, and a persevering spirit.

// Founding Members

Allison McDaniel | Allison McDaniel was born in 1985 in Livingston, NJ. She currently lives and works in the Washington, DC Metropolitan Area. She studied at Howard University and Savannah College of Art and Design, where she earned her BFA in Advertising Design.
She is a freelance graphic designer working in branding and identity, and photographer, working in digital and film formats. Additionally, she serves as Associate Editor of Recipes for Good Living, writing about children and healthy eating.

Kameelah Rasheed | Kameelah Rasheed was born in 1985 in East Palo Alto, CA (SF/Bay Area).  She currently lives and works in Brooklyn, New York.  She has lived in Cape Town, South Africa as an exchange student, Johannesburg, South Africa as an Amy Biehl U.S. Fulbright Scholar, Washington, D.C. as a Harry S Truman Scholar, SF Bay Area, and Southern California. A storyteller, this self-taught artist works mainly with film and digital photography.  Her documentary-based photography has been exhibited in Oakland and San Francisco, CA as well as Brooklyn, NY and Washington, D.C. Her photography has also been published in F-Stop Magazine and Make/Shift Magazine. Kameelah earned her B.A. in Public Policy from Pomona College and her Ed.M in Secondary Education from Stanford University. Kameelah is also a writer. Her writing has been published in The Nation (online), Pambazuka: Social Justice in Africa, WireTap Magazine, Illume Magazine, and Make/Shift Magazine. She currently writes for Change.org as well.

Danielle Scruggs | Danielle Scruggs was born in 1985 in Chicago, IL and currently lives and works in Washington, D.C. Scruggs’ photographs have been exhibited in Los Angeles, Brooklyn, and Baltimore, and  appeared in The Washington Post, Stop Smiling magazine, F-Stop magazine, Preservation Chicago, and Literago. She earned her M.A. in Digital Art from the Maryland Institute College of Art and her B.A. in Journalism from Howard University. Danielle also serves as the Visual Arts editor of the grassroots publication Liberator Magazine and writes about all things photography for the Baltimore Sun‘s Charm City Current collective. She is currently serving as a 2010 fellow in the newly formed Public Media Corps.

The details for submitting to our first online exhibit, Memory // A Call for Photographs,  can be found at our website, www.mambubadu.com. Please email questions, comments, and concerns to  themambubadu@gmail.com.

Memory // A Call for Photographs
What is memory?
The fuel, the burden and force of revolts, movement and heritage.

It is somewhere between Sun Ra’s travels to Saturn, gospel call-and-response, motherships, funeral dirges, and insomnia.

A well-worn groove that bridges prophecies on the future and ruminations on the past to create personal mythologies.  The wishful alchemy of autobiography, religious fantasy, and coerced forgetting.

They are unrecorded microhistories, the foundation of family and the far away look of nostalgia in someone’s eye…the intangible and tangible evidence of life and love.

The ever continuous series of “now this moment” and “now this one, too”; a re-remembered timeline of past/present realities.

Rituals of storytelling as well as the spiritual nature of keeping, recording, and creating time.
The collective forgetting and the collective remembering.

With film and and digital cameras, we are looking for works that explore the boundless concepts of memory, nostalgia, and transition. We seek works that explore the transient and temporal ambiguity that is born from a desire to be boundless and open to the change that comes with the possibility of moving through time, rather than with time. We seek works that reflect on what memory is, how we remember, what we remember, and the memories we wish to forget. Let your work explore the shape and visual sound of the ephemeral; the incarnate and manifesting nature of memory. No memory is off bounds, and all off bounds memories are welcomed.