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	<title>Comments on: Wait, But Is Renee Fleming Gonna Ruin It For Everyone By Making Us Look Like Sellouts?</title>
	<atom:link href="http://charmcitycurrent.com/sounddirections/2010/03/02/wait-but-is-renee-fleming-gonna-ruin-it-for-everyone-by-making-us-look-like-sellouts/feed/" rel="self" type="application/rss+xml" />
	<link>http://charmcitycurrent.com/sounddirections/2010/03/02/wait-but-is-renee-fleming-gonna-ruin-it-for-everyone-by-making-us-look-like-sellouts/</link>
	<description>Just another Charm City Current weblog</description>
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		<title>By: Who The Hell Stole Vijay Iyer&#8217;s Watch At The Stone? &#171; Sound Directions</title>
		<link>http://charmcitycurrent.com/sounddirections/2010/03/02/wait-but-is-renee-fleming-gonna-ruin-it-for-everyone-by-making-us-look-like-sellouts/#comment-298</link>
		<dc:creator>Who The Hell Stole Vijay Iyer&#8217;s Watch At The Stone? &#171; Sound Directions</dc:creator>
		<pubDate>Sun, 07 Mar 2010 16:58:29 +0000</pubDate>
		<guid isPermaLink="false">http://charmcitycurrent.com/sounddirections/?p=1436#comment-298</guid>
		<description>[...] many important questions about the &#8216;burgeoning&#8217; indie classical movement, including is it all over now? No word on what the album cover is going to look like yet though you are encouraged to speculate [...]</description>
		<content:encoded><![CDATA[<p>[...] many important questions about the &#8216;burgeoning&#8217; indie classical movement, including is it all over now? No word on what the album cover is going to look like yet though you are encouraged to speculate [...]</p>
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		<title>By: Brendan</title>
		<link>http://charmcitycurrent.com/sounddirections/2010/03/02/wait-but-is-renee-fleming-gonna-ruin-it-for-everyone-by-making-us-look-like-sellouts/#comment-255</link>
		<dc:creator>Brendan</dc:creator>
		<pubDate>Thu, 04 Mar 2010 17:49:14 +0000</pubDate>
		<guid isPermaLink="false">http://charmcitycurrent.com/sounddirections/?p=1436#comment-255</guid>
		<description>It&#039;s pop-opera star in reverse.  I am cautiously optimistic, but I have a nagging feeling that this is going to end up next to Michael Bolton&#039;s opera album.</description>
		<content:encoded><![CDATA[<p>It&#8217;s pop-opera star in reverse.  I am cautiously optimistic, but I have a nagging feeling that this is going to end up next to Michael Bolton&#8217;s opera album.</p>
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		<title>By: Brian</title>
		<link>http://charmcitycurrent.com/sounddirections/2010/03/02/wait-but-is-renee-fleming-gonna-ruin-it-for-everyone-by-making-us-look-like-sellouts/#comment-233</link>
		<dc:creator>Brian</dc:creator>
		<pubDate>Tue, 02 Mar 2010 20:27:48 +0000</pubDate>
		<guid isPermaLink="false">http://charmcitycurrent.com/sounddirections/?p=1436#comment-233</guid>
		<description>@Mike hahaha, touché! Thanks for the comment, also. I&#039;m not pre-judging the product or the artist or where the artist is coming from discipline-wise. Nor have I made any judgements about crossover projects by any of the artists you mentioned. I do have something in the queue that goes to that point, however. Stay tuned for that. 

What I think is interesting is that this whole indie/alt- classical movement has been sort of an underground thing that the kids have been doing and now a big time star on a major label (&#039;The Man&#039;) from a different generation has picked up on this trend. Is that going to matter to the indie-classicists? Will the movement shift if this trend is perceived to have gone &#039;mainstream&#039;? Cuz nothing takes the allure out of alt quite like having that culture appropriated to a mass market.</description>
		<content:encoded><![CDATA[<p>@Mike hahaha, touché! Thanks for the comment, also. I&#8217;m not pre-judging the product or the artist or where the artist is coming from discipline-wise. Nor have I made any judgements about crossover projects by any of the artists you mentioned. I do have something in the queue that goes to that point, however. Stay tuned for that. </p>
<p>What I think is interesting is that this whole indie/alt- classical movement has been sort of an underground thing that the kids have been doing and now a big time star on a major label (&#8216;The Man&#8217;) from a different generation has picked up on this trend. Is that going to matter to the indie-classicists? Will the movement shift if this trend is perceived to have gone &#8216;mainstream&#8217;? Cuz nothing takes the allure out of alt quite like having that culture appropriated to a mass market.</p>
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		<title>By: Mike</title>
		<link>http://charmcitycurrent.com/sounddirections/2010/03/02/wait-but-is-renee-fleming-gonna-ruin-it-for-everyone-by-making-us-look-like-sellouts/#comment-232</link>
		<dc:creator>Mike</dc:creator>
		<pubDate>Tue, 02 Mar 2010 20:05:34 +0000</pubDate>
		<guid isPermaLink="false">http://charmcitycurrent.com/sounddirections/?p=1436#comment-232</guid>
		<description>Hum ... let&#039;s see - Itzak Perlman, Yo-Yo Ma, Joshua Bell, the London Symphony, Leonard Bernstein, John Adams, Michael Daugherty, John Williams, Keith Lockhardt - even Marin Alsop - and many more move back and forth across the &quot;line&quot; that seperates classical and popular music - no problem. I&#039;ve even heard of a classically trained saxophonist who performs while a colleague is spinning lps back and forth on a turntable - and that&#039;s all cool.  But let an OPERA SINGER try something that breaks the rules, and brickbats come out 4 months before the album hits the streets.  Can you say &quot;double standard&quot;?  Either the album will stink and find a place in the cut-out bins next to &quot;Classically Barbara&quot; or, by jove, maybe she&#039;s &quot;got it&quot;!  Maybe we could wait to hear the music before we decide?</description>
		<content:encoded><![CDATA[<p>Hum &#8230; let&#8217;s see &#8211; Itzak Perlman, Yo-Yo Ma, Joshua Bell, the London Symphony, Leonard Bernstein, John Adams, Michael Daugherty, John Williams, Keith Lockhardt &#8211; even Marin Alsop &#8211; and many more move back and forth across the &#8220;line&#8221; that seperates classical and popular music &#8211; no problem. I&#8217;ve even heard of a classically trained saxophonist who performs while a colleague is spinning lps back and forth on a turntable &#8211; and that&#8217;s all cool.  But let an OPERA SINGER try something that breaks the rules, and brickbats come out 4 months before the album hits the streets.  Can you say &#8220;double standard&#8221;?  Either the album will stink and find a place in the cut-out bins next to &#8220;Classically Barbara&#8221; or, by jove, maybe she&#8217;s &#8220;got it&#8221;!  Maybe we could wait to hear the music before we decide?</p>
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		<title>By: Trevor Hunter</title>
		<link>http://charmcitycurrent.com/sounddirections/2010/03/02/wait-but-is-renee-fleming-gonna-ruin-it-for-everyone-by-making-us-look-like-sellouts/#comment-230</link>
		<dc:creator>Trevor Hunter</dc:creator>
		<pubDate>Tue, 02 Mar 2010 16:57:35 +0000</pubDate>
		<guid isPermaLink="false">http://charmcitycurrent.com/sounddirections/?p=1436#comment-230</guid>
		<description>I was FREAKING OUT about this. It&#039;s amazing in all the worst ways.

My enthusiasm for this train wreck was sadly somewhat diminished when I realized that the original Mars Volta song, rather being their usual insane fare, is actually something my mom might like.</description>
		<content:encoded><![CDATA[<p>I was FREAKING OUT about this. It&#8217;s amazing in all the worst ways.</p>
<p>My enthusiasm for this train wreck was sadly somewhat diminished when I realized that the original Mars Volta song, rather being their usual insane fare, is actually something my mom might like.</p>
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