Should Baltimore Identify Itself As The Weirdest Place On Earth?

Posted on Monday, March 8th, 2010 at 1:53 am

bmore-austin-censored
In my Ignite talk last week, I mentioned that I thought it was high time we move on here in Baltimore from defining ourselves to the outside world simply by the quirky and irreverent parts of the city’s cultural life. I think those aspects are an important part of Baltimore’s artistic identity, but that defining the city’s arts scene with a strong and overbearing emphasis on the weird sends a message that we’re not to be taken all that seriously.

Then I read Deborah Patterson’s post on Open Society Institute-Baltimore’s Audacious Ideas blog, in which she expressed indignation at the fact that Austin, with its “Keep Austin WEIRD” slogan-campaign, topped the list of Best Cities for Artists and Designers with Baltimore not even cracking the top 25. Yeah, seriously, like WTF? In Deborah’s opinion, Baltimore has “never fully claimed its identity.” I’ll agree with that too. I just don’t think WEIRD is the brand we ought to be pushing.

I realize that’s kind of a provocative stance to take in this city, but I think defining Baltimore’s arts scene based primarily on it’s irreverence and quirkiness is a major hindrance to the scene’s growth and respectability. The comment section is open.

Should we ‘Keep Baltimore WEIRDER’ than Austin?
Is being weird ‘pure brilliance’ or just good marketing?
Do we want to go ‘all in’ with the quirkiness?

4 Responses

  1. Let's not bash Austin

    @Kathy: The heroin business has changed. Baltimore is not one of the hot heroin hubs — at least not in terms of the new product: http://preview.tinyurl.com/ygs3zv4

    @Brian: Focusing on Austin’s weirdness-as-branding misses the bigger advantage that they have over other cities, which is their huge student population. If Baltimore wants to grow — artistically, economically or in any other meaningful way — the city needs to start setting up new college campuses. For any whiners who say the crime/poverty/whatever is sure to kill deals: Have you ever watched a research university walk away from free land in close proximity to the world’s best hospital? I thought not. The city just needs to put some slightly-more-than-token effort into getting things started.

  2. Better weird than the way I think of Baltimore…lots of murders and fairly recently the heroin capital of the U.S.

  3. [...] relentless Iraq War thriller “The Hurt Locker” to the screen. Monday, March 8, 2010. Should Baltimore Identify Itself As The Weirdest Place On Earth … – charmcitycurrent.com 03/08/2010 Then I read Deborah Patterson’s post on Open Society [...]

  4. [...] the original post:  Should Baltimore Identify Itself As The Weirdest Place On Earth … roleplayedingly: You know what this place needs? MORE GRATUITOUS …Ketron pitches YVCC [...]

Leave a Reply

  • about brian sacawa

    Brian Sacawa is the Curator of the Contemporary Museum's Mobtown Modern music series.

    As a saxophonist, Brian has been called many things—most of them good—including "an inventive musician" (The New York Times), "inspired" (The Washington Post), and "brilliant" (Baltimore Sun). His versatile career has led to appearances ranging from Carnegie Hall to Baltimore's Metro Gallery and with ensembles including the Baltimore Symphony, Detroit Symphony, New World Symphony, and St. Petersburg (Russia) Philharmonic.

    Brian can be heard on the Grammy-winning album Songs of Innocence and Experience (Naxos) and his critically-acclaimed debut solo recording, American Voices, is available on the Innova record label.

    You can learn more about Brian on his website, where you're likely to find out that he also performs in the genre-bending duo Hybrid Groove Project and is a Category 2 bicycle racer for District Velocity Racing p/b The Bike Rack.

  • Buy local music from the Baltimore Sun store
  • RSS Contemporary Museum on Twitter

  • RSS Mobtown Modern on Twitter

  • tags

  • categories

  • archives