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The Pigeonhole: Don’t -ist Me, Bro!

Posted on Monday, May 3rd, 2010 at 7:31 am

pigeonhole
As the ‘buzz’ last week in the classisphere about a ‘contentious’ issue demonstrated, trying to define things / oneself / your music / your ‘scene’ / your ‘bandsemble’ can get touchy. Maybe u like 2 talk about it. Maybe u want ppl to ‘shut the eff up’ and #stoptalkingandmakeshit.

serialist
Maybe there’s no reason to define this ‘movement.’ Maybe this music ‘defies categorization’ / is ‘genre-bending.’ Did anybody write music b4 now that broke ‘the rules’? Would Milton Babbitt have written different music if nobody called him a serialist? Sucks 2 b pigeonholed.

minimalist
Do you need an iconic b&w photo to be an -ist? Maybe Philip Glass doesn’t mind being a minimalist because he was a ‘pioneer’ of that genre. If u founded a genre would u want a say in what that genre was named? Have we run out of new genres?

rigorist
How many times can u add post- 2 a genre? Maybe we should have pre- genres like movie prequels. Even though u know the outcome, u imagine a new genre based on being ‘historically informed.’ Do u wish u could see the future so u would know what kind of music we r creating?

mentalist
What do u call a genre ‘informed’ and ‘influenced’ by multiple genres? <— That wasn't a joke. What would be a good punchline if that was a joke? Oh, do u want to know what I think? There's no reason 2 define this 'movement.' ‘Shut the eff up.’ #stoptalkingandmakeshit.

Filed in: New Music.



 

One Response

  1. Rules are made to be broken… genres are made to be bent.

  • about brian sacawa

    Brian Sacawa is the Curator of the Contemporary Museum's Mobtown Modern music series.

    As a saxophonist, Brian has been called many things—most of them good—including "an inventive musician" (The New York Times), "inspired" (The Washington Post), and "brilliant" (Baltimore Sun). His versatile career has led to appearances ranging from Carnegie Hall to Baltimore's Metro Gallery and with ensembles including the Baltimore Symphony, Detroit Symphony, New World Symphony, and St. Petersburg (Russia) Philharmonic.

    Brian can be heard on the Grammy-winning album Songs of Innocence and Experience (Naxos) and his critically-acclaimed debut solo recording, American Voices, is available on the Innova record label.

    You can learn more about Brian on his website, where you're likely to find out that he also performs in the genre-bending duo Hybrid Groove Project and is a Category 2 bicycle racer for District Velocity Racing p/b The Bike Rack.

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