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Cleveland Orchestra Makes ‘VIRAL VIDEO’ In Support of the Cavs

Posted on Thursday, May 13th, 2010 at 11:23 am

VIRAL-VIDEO
Remember the radio spot the Cleveland Orchestra made to promote their Carmina Burana concert ‘in support of’ the Cavs in the playoffs? Well, now they have used the popular online video sharing website YouTube to create a companion ‘VIRAL VIDEO’ showing their support:

YouTube Preview Image

I think maybe the Cleveland Orchestra has misunderstood what a ‘VIRAL VIDEO’ is. As I understand it, a ‘VIRAL VIDEO’ is the name given to a video after it is posted on the internet and is subsequently shared and viewed by lots of people [via email / YouTube / Twitter / Facebook / et al.] It’s something that happens to a video, not something you call a video. Though maybe if you call your video a ‘VIRAL VIDEO’ you can say, “Hey, we made a ‘VIRAL VIDEO’!” and your board will all nod and be srsly impressed.

If u name ur YouTube video ‘VIRAL VIDEO’ does that increase its chances of ‘going viral’?
What is the minimum number of ‘views’ when you can consider ur video a ‘VIRAL VIDEO’?
Is the Cleveland Orchestra ‘out of touch’ with the internet?
Is the Cleveland Orchestra trying to be ironic?
Sorta feel like maybe because of this oboe bro in a sweet headband.

oboe-lebron
Though prbly not.
Why is the Cleveland Orchestra trying so hard to kiss the Cavs’s ass?
Do orchestra musicians really know what ‘triple-doubles’ are?
Were the Cleveland Orchestra musicians ‘pissed the eff off’ that they had to come in and shoot this ‘VIRAL VIDEO’?
Or did they not care because they were making mad bank with some sweet union wages?
Did the oboe player lose a game of rock, paper, scissors and have to wear that headband?
Is the Cleveland Orchestra ‘unexpecting’ themselves?

Filed in: Classical Music, Marketing.

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  • about brian sacawa

    Brian Sacawa is the Curator of the Contemporary Museum's Mobtown Modern music series.

    As a saxophonist, Brian has been called many things—most of them good—including "an inventive musician" (The New York Times), "inspired" (The Washington Post), and "brilliant" (Baltimore Sun). His versatile career has led to appearances ranging from Carnegie Hall to Baltimore's Metro Gallery and with ensembles including the Baltimore Symphony, Detroit Symphony, New World Symphony, and St. Petersburg (Russia) Philharmonic.

    Brian can be heard on the Grammy-winning album Songs of Innocence and Experience (Naxos) and his critically-acclaimed debut solo recording, American Voices, is available on the Innova record label.

    You can learn more about Brian on his website, where you're likely to find out that he also performs in the genre-bending duo Hybrid Groove Project and is a Category 2 bicycle racer for District Velocity Racing p/b The Bike Rack.

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