Posts Tagged ‘Renee Fleming’

Singing Pop Music Is Easier Than Singing Opera, Right?

Posted by Brian on Monday, March 15th, 2010

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Okay, sorry, I’m not done with this yet. So remember how Renée Fleming is covering Arcade Fire, Death Cab For Cutie, and other indie acts on her upcoming Dark Hope album? Well, isn’t it easier to sing pop music than to sing classical music? Like, you never hear about indie stars having to go to pop music conservatories to be taught how to sing indie rock in the correct style. But that’s the path you have to take to become a great opera star, right? I mean, unless you’re the ‘reality show opera star’ of the decade.

So then I heard this Terry Gross interview with the Carolina Chocolate Drops, where Rhiannon Giddens said something about being classically trained and the differences between singing ‘pop’ and classical. Each one has challenges and maybe even singing pop music has more challenges? What do yall think?

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If you’re an opera star is it easier to sing pop music bc u r ‘classically trained’?
Can you tell when a ‘classically trained’ singer sings pop music?
Could Ke$ha sing Philomel?

Who The Hell Stole Vijay Iyer’s Watch At The Stone?

Posted by Brian on Sunday, March 7th, 2010

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This guy did. Video footage surfaced this week from a Vijay Iyer show at John Zorn’s LES club The Stone, which shows some dude totally ripping off Vijay’s watch. [fig. 1.] Renée Fleming gets an indie makeover. The New Statesman is sponsoring a Young Critics Competition. Some UK classical taste-makers weigh in on how to sell classical music to the masses. And gays should be able to marry because of all the beautiful music they’d give birth to. Relax and take it all in: your weekly starred items.

• The best part about this Vijay Iyer watch heist video is what you might imagine this guy was thinking as he carried out the act. Like, he’s standing there text messaging something at first. Maybe his txt was like, “I m gonna jack this watch. TTYL.” And then he’s all, “Hey, yeah, I’m gonna check this piano out. Oh cool, I love playing chords in the really low register.” Then the quick glance around the room before snagging the watch and then gesturing that like “this is totally mine. I left it here before Vijay started playing. He asked me to.” when he realizes he might have been spotted. The little finger point is classic. But then! But then he’s like, oh, I’m gonna go to the bathroom and the door is already open because some girl was coming out when he was grabbing the watch. I love the little fumble as he tries to pocket the watch when he realizes this happened. What do you think he did when he got into the bathroom? Did he txt his friend again and say, “Just stole VIs watch. I m the man”? [Mind The Gap]

• The Peoples’ Diva Renée Fleming will release a new indie album called Dark Hope this summer featuring the music of Arcade Fire, Death Cab For Cutie, and The Mars Volta, among others. This has raised many important questions about the ‘burgeoning’ indie classical movement, including is it all over now? No word on what the album cover is going to look like yet though you are encouraged to speculate openly. [Guardian]

• The New Statesman, in association with the Royal Academy of Music, launched a brand new Young Music Critics competition this week. The competition is open to kids under 30 with an equal passion for music and the written word and hopes to cultivate a new generation of classical music critics who aren’t smug musicologists bent on telling you how much smarter they are than you. Among the members of the star-studded jury are BBC Radio 3 presenter Suzy Klein, tenor Ian Bostridge, and “America’s Own” Alex Ross. [New Statesman]

• Twelve British classical taste-makers were asked by The Times Online what they would do to start selling classical music to the masses. The responses ranged from the practical (make concerts later (10 p.m.) and/or earlier on the weekends) to the strange (keep the lights low so they can focus on the stage. N.B. that one was from Nicola Benedetti). My personal favorite, however, came courtesy of Marcus Davey, chief executive of the Roundhouse: “Authenticity is essential. If you’re doing Mahler’s First Symphony don’t put a rock band in the first 20 minutes just because you think it would engage a younger audience.” Glad to hear somebody else thinks that’s pretty much the dumbest idea ever. [Times Online]

• In the midst of California’s Prop 8 trial, there’s been a call for Benjamin Britten and Peter Pears to become the unofficial mascots of the same-sex marriage movement. Although same-sex couples can’t reproduce together biologically, their chemistry can result in the birth of lots of really beautiful music. There’s definitely not anything wrong with that. [SFist]

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Design Your Own Renee Fleming Indie Album Cover and Win A $50 American Apparel Gift Card

Posted by Brian on Thursday, March 4th, 2010

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So although we know what music will be on Renée’s indie album, I don’t think we know what the album cover will look like. That’s why I’m sponsoring a “Design Your Own Renée Fleming Indie Album Cover” contest. Yall have some photoshop skillz, right? There are a few ways you can contribute.

1) Click here to download a template of the album cover you see above. Feel free to elaborate.
2) Click here to get a little more creative by taking a PNG file and having your way with it. Maybe we can even start a Snookieshop-ish meme with that one?
3) And if you’re feeling extra-creative, click here to pick out your own Renée photo for the cover art.

To submit your album covers, click here and upload. Please size your creations 520x520px. Let’s say that the winner will be chosen Friday, March 12. If your album cover is chosen, you’ll receive a $50 gift card to American Apparel so you can look your hippest at the next alt-classical event you choose to attend. Good luck!

10 Important Questions About Renee Fleming’s New Indie Album

Posted by Brian on Wednesday, March 3rd, 2010

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Since classical musicians value authenticity in performance, will Renée get all ‘tatted up’?
What is this all about?
What do the indie songwriters think about this?
Does it make them feel more ‘legit’?
Are indies trying to reach a ‘broader audience’?
What’s in this for Renée?
Is she ‘saving classical music’?
Will her tour include ‘shows’ in ‘alternative venues’?
Should classical music stop trying so hard?
Does this signal the end of the alt-classical epoch?

Wait, But Is Renee Fleming Gonna Ruin It For Everyone By Making Us Look Like Sellouts?

Posted by Brian on Tuesday, March 2nd, 2010

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Did you hear about the indie makeover that opera star Renée Fleming is getting? The People’s Diva’s next album, entitled Dark Hope (Decca, due out June 8, 2010), includes music by Arcade Fire, The Mars Volta, and Death Cab for Cutie, among others. And here’s a little quote from Renée lettin’ everyone know that she totally knows what’s up:

It’s become clear to me that lines are blurring in a way that promotes collaboration across musical genres. It’s not clear yet where this will lead, but the choices are endless. It’s possible I can well imagine that this type of collaboration will help classical music move out of the “museum” and into the 21st century, since for example some young musicians are using string quartets to form bands.

Damn. Doesn’t that kind of feel like if your mom told you she was really into whatever music you had thought until that moment was completely unknown to everyone but you and like only three teenage Japanese kids? Come on, Renée! There are well-defined rules to how things are deemed trendy and cool. Rule #1 being that if your mom likes it, it’s not cool anymore.

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So on June 8, 2k10 when Renizzle Fleming drops her new album, is this whole indie/alt/un- classical thing over? Because as crazy, sexy, and cool as she is in that Katie Couric sorta way, isn’t she part of Big Classical Music? And you know like when The Man gets all colonial on the indies, the indies inevitably move on to the next undiscovered island.

Is Renée gonna ruin it for indie-classicists?
Will she single-handedly create a new class of bro-classical musicians?
What do yall think will be the next alt-classical trend?